I realized with alarm the other day, it’s been over a year since I’ve had a drink. I couldn’t drink while pregnant, and then I’ve been a busy new mom. But I’m determined to get my drink on. I’ve been saving this recipe for a while now. I will definitely be whipping it up during spring break. Of course, this is only for the grown and responsible folks 🙂
I will return in April…Enjoy.
Strawberry & Lime Moscato Punch
1.5 liter of Moscato wine
1 can frozen limeade concentrate, defrosted
1 c strawberries, diced plus 1 c strawberries sliced
1 lime sliced
2 Liter 7 Up
place 1 cup of diced strawberries and 1/4 cup of limeade in a blender and puree
run through a strainer to remove most of the seeds
pour into a pitcher
add remaining limeade and moscato into the pitcher
“Sisters In Law” is a new reality show on WE tv that “follows a close-knit group of elite high-powered black female lawyers as they juggle their families, busy careers, and even more demanding social calendars.”http://www.wetv.com/shows/sisters-in-law
I was able to catch the first episode of “Sisters In Law” before it officially premises on March 24th. Well, I can say, the women are fashionably fly. Otherwise, the show quickly spirals down to “Love and Hip Hop” dramatics of over the top arguments and “female rivalry.” A bit disappointing for a show that’s supposed to be about high-powered black female lawyers. I always wonder don’t folks worry about ruining their names/brand by acting a mess on tv, but what do I know. I couldn’t relate to any of the women, although I guess I’m not supposed to as they are representing Houston, Texas’s black upper class. Future shows have the women discussing issues regarding police brutality and black lives matter so “Sisters In Law” may have some redeeming value in the end.
“Set against the backdrop of the Jim Crow South and the civil rights movement, the never-before-told true story of NASA’s African-American female mathematicians who played a crucial role in America’s space program—and whose contributions have been unheralded, until now…Segregated from their white counterparts by Jim Crow laws, these “colored computers,” as they were known, used slide rules, adding machines, and pencil and paper to support America’s fledgling aeronautics industry, and helped write the equations that would launch rockets, and astronauts, into space.” http://io9.gizmodo.com/janelle-monae-will-co-star-in-a-movie-about-the-women-b-1763634154
The movie will star Taraji P. Henson, Octavia Spencer, and singer Janelle Monáe. I’m happy that Henson will get a chance to play a different black woman character. While I usually enjoy her work, she tends to be typecast. I was pleasantly surprised to hear about the addition of Monáe. She has a song on her album “Electric Lady”dedicated to Sally Ride, the first American woman to go into space. Obviously, she was made for this role.
Kevin Costner will portray the head of the space program, so there will probably be some white savior element to the film, but overall it appears the story will focus on these three amazing women. I hope the film is as promising as it sounds. “Hidden Figures” will be released in January 2017.
Last year, black folks were concerned when it was announced Zoe Saldanawas cast as the iconic, Nina Simone. Folks worst fears were confirmed when the trailer for “Nina” was released this past weekend.
A lot of the criticism has focused on Saldana basically engaging in black face to portray the high priestess of soul. It’s considered offensive because Simone’s music was dedicated to speaking out against the marginalization of black folks, specifically darker skinned black folks. The (hideous) makeup job makes a mockery of her life’s work.
My other issue with the trailer is the story line of an “out of control” Simone. There’s nothing wrong with acknowledging the mental health struggles of Simone. Honestly, I did not know this was something that affected her life, until recently. It’s not talked about when folks praise the legendary singer. I think mental health needs to be discussed more in the black community. Two groups I follow do an excellent job supporting black folks and mental health (No More Martyrs and Black Mental Health Alliance for Education & Consultation, Inc.) Artist Erykah Badu recently highlighted bi-polar/depressionat a fashion show. So, folks are working hard to bring more awareness to this important issue.
However, I find it interesting the writer-director decided to focus solely on this aspect of Simone’s life. It was not surprising to learn that the writer-director is a white woman (Cynthia Mort). It makes sense why she used black face to represent Simone. White women tend not to relate to the beauty struggles black women, particularly darker skinned black women, face under white supremacy. It makes sense why Mort zeroed in on the “breakdown” of Simone. She could not see the brilliance of Simone without framing it in a stereotypical “crazy” black woman caricature. Simone was regarded as a child progeny. She had to deal with harsh racism while growing up. Imagine the pain navigating oppression when you are a gifted black child. I’m sure Simone’s mental health problems were exacerbated dealing with the daily abuse of white racism. But a film like that probably wouldn’t get the green light.
As far as Saldana, she should know better. Simone’s daughter has defended her in this role. I’m sure some of it is genuine support, but Simone’s daughter also has not found closure with her mother. She has talked about Simone being an abusive/neglectful parent. It’s probably hard for her to look at the bigger picture of why Saldana was not a good fit for this role. Celebrities like Queen Latifah and Paula Patton have stood up for Salanda, but they are doing so in case they ever want to look ridiculous on film. You know celebrity egos.
The problem is Saldana tends to flip flop on the subject of racism (colorblind rhetoric). And yes, she’s tends to say she is a “black Latina,” but often celebrates her Latina side/declare she is more than “just black.”This is not someone who needed to represent Nina Simone, a consistently proud black woman.
This past week folks have been talking about Lady Gaga’s moving performance at the Oscars. Gaga’s nominated song“Till It Happens to You”is about rape and she shared the stage with survivors of sexual assault. I thought it was great that such an important issue was being spotlighted at the Oscars. But then I came across a poster who pointed out that Gaga worked with R.Kelly and did that undermine her current anti-rape culture stance?
Ah, yes. I had forgotten about that. The two singers collaborated on the r&b tune “Do What U Want” back in 2013. I guess it can be argued Gaga didn’t know about the statutory rape allegations against R.Kelly, but that is highly unlikely. The allegations/”jokes” have been swirling for years. Also, I’m sure celebrities have access to what goes on in the industry more than the public will ever know. So, it is curious that Gaga had no qualms working with R.Kelly. Does she not care about the victimization of black girls?
I did notice it was mostly white survivors on stage in clips I saw from the show. Maybe it was just a coincidence. Or perhaps Gaga, working from a white woman’s perspective when it comes to sexual assault, doesn’t know how to outreach to women of color on this issue. Gaga, like many white female celebrities, have been speaking out/supporting singer Kesha. Kesha accused a popular music producer of sexual abuse, but has been forced by the courts to continue working with him. I wonder if these same celebrities would be so quick to speak up if it were a black female singer in the same situation.