“black pearl, precious little girl/let me lift you up where you belong…”
“All that you touch, You Change. All that you Change, Changes You. The only lasting truth is Change.”–Octavia Butler
It’s Black History/Future Month. A time to reflect on the past contributions of Black Americans, as well as the visions/creativity/activism of the next generation.
The purpose of my group (PDX Black Feminism) is to honor the barriers broken by Black women/Non-Binary people. We provide a space to talk about issues affecting us in/outside of our city. It’s also an opportunity to explore the Afrofuturism tools of resisting oppression.
Please support our work this month. The funding helps rent space for meetings, provide refreshments, and self-care needs. In celebration of Black History/Future Month, we will be hosting a showing of “Unbought and Unbossed.” The film explores Shirley Chisholm’s run for presidency, a Black politician trailblazer.
“light my fire, blow my flame” 😉
A few days ago, actress Gabourey Sidibe released her short film “The Tale of Four.” The film is part of Refinery29’s Shatterbox Anthology film.
The purpose of this series is to highlight films by women directors. This is Sidibe’s directorial debut.
Honestly, I wasn’t expecting much from the film. “The Tale of Four” is a take on Nina Simone’s “Four Women.” Now, folks who know this song, know this is one of Simone’s most iconic gems. The song stays on rotation in Black women’s playlist for revolution. Folks still get chills from Kelly Price, Marsha Ambrosius, Jill Scott, Ledisi rendition of this song at 2010 Black Girls Rock. Ledisi appears as “Aunt Sarah” in the film.
Well, the joke was on me. By the end of the 20-minute short, I was near tears. Sidibe managed to bring a contemporary spin on the characters of Simone’s song. She portrayed the women as complex people. No one is all good or bad.
Aunt Sarah-is taking care of her sister’s children after her sister goes to prison for shooting Sarah’s abusive partner. Despite this sacrifice, Aunt Sarah struggles with keeping the children or placing them in foster care. She feels obligated, but overwhelmed. She loves them, but wants her life back.
Safronia-is a light-skinned biracial woman. She’s harassed by Black peers for her skin color, but she gives as good as she gets. She refers to one of her tormentors as a “burnt bitch.” Safronia demands her dark-skinned mother tell her who her father is. The mother breaks down and tells her daughter how she was conceived. She was raped by a white man. Safronia goes to her mother and hugs her. It was a powerful moment. Black women sexual assault survivors rarely get unspoken love/support. Also, it wasn’t the cliché story of the “confused” biracial, rather acknowledging the pain of the mother.
Sweet Thing– is a sex worker. She’s not ashamed of what she does. She enjoys it, but would like respect from her client. She’s a talented woman. She sings with a husky voice, plays the piano. When she picks up the phone and apologizes for an argument. Of course, it’s the client. The man she really wants to be with. Or so you think.. When she opens the door to a Black woman holding flowers, and they bashfully hold hands. You realize Sweet Thing wants a different kind of love to fill her heart.
Peaches-is the Black mother grieving her child killed by police. She represents Black Lives Matter, the protest of the flag/anthem, the resistance of white supremacy. Peaches is Lesley McSpadden, Sybrina Fulton, Samaria Rice, Geneva Reed-Veal, and more (sadly). More importantly, Peaches is the symbolic revenge of Black mothers. I recently read an article how the narrative of Black people abused by the police/white oppression is that of forgiveness. We are expected to forgive the transgressions against us. Peaches rejects that notion. She knows she will suffer when takes her revenge, but it helps her heal.
“The Tale of Four” was wonderful. It makes the Nina Simone film with Zoe Saldana in blackface, even more insulting. This brilliant songstress deserves more than that. Sidibe redeems Simone’s honor with her film.
Mary J Blige (MJB) released her album “Strength of a Woman” this past May. Like any good groupie, I got the album. To be honest, I only listened to it here and there. These are busy times. What I heard was decent. Generally, MJB tends to put out good albums. However, the other day I had a little down time and really listened to “Strength…” The album is actually pretty solid. It’s a reflective collection of music backed with heartfelt singing and killer production. It’s an amazing adult contemporary album for Black women in my age group (the Gen-Xers).
When it was announced that Mary was divorcing her husband of 12 years, folks said “uh, oh. Mary is going to be crying again on her next album.” Mary is known for singing about her relationships. As a die-hard fan of Mary of the 25+ years she’s been in the music industry, I’ve come to the realization Mary is just a sensitive person. She wears her heart on her sleeve. I find her willingness to be vulnerable a rarity. The truth is, love is some complicated mess. We all want it, whether we admit it or not. We want that deep love, that Love Jones love, that real love. I think Mary wants it more than anyone and it makes sense knowing her history. She has talked about being molested as a child, an on and off again relationship with her father, drug addiction, and relationship with guys who just didn’t know what to do with a girl/woman like Mary J Blige.
I remember in an interview, Mary talked about when she was a kid, other kids would fight to see who could sit by her or be her friend. She also recalled a time a teacher asked her to sing to help settle down the class, and it worked. There is something about Mary. I think because she’s an old/tender soul, that she has had to camouflage with street swag. The survival story of most Black women.
In the early years, a young Mary covered her eyes/was hiding. By mid-career (No More Drama, The Breakthrough) she was growing more confident. Now, with her 13th album, she is boldly proclaiming “f*ck it, I’m Mary J Blige!” by sitting on her throne.
Listening to the new album, yes Mary J is brokenhearted again. But unlike the other times she’s shared about failed love/the rhetoric of loving one’s self…she seems to have had a true epiphany of “oh well, shit happens. but i’m gonna be alright.” The thing I love about Mary, is that she is constantly evolving. Mary has maintained she is a work in progress. Even when she got married and thought she found the love of her life, she warned folks that there is never really any happy endings. You always have to put in the work to be a better person.
While Mary has made some faux pas over the years (still cringing over that Burger King commercial and singing for Clinton), overall she’s been an inspiring person. She has been an iconic image for Black women like me who grew up in the 70’s/80’s. The 40-something Black women who know a little bit more about life than we did in our 20’s, but still learning and growing. Rock on MJB.
My current favorite song from “Strength…”