Black Music Month (BMM) #4

I always get my laugh on whenever I hear Iggy Azalea rapping. The promotion of Azalea continues the culture vulture antics of the music industry.

“Culture vulture is someone who steals traits, language and/or fashion from another ethnic or social group in order to create their own identity.”  http://www.urbandictionary.com/define.php?term=culture+vulture

While actual black artists are struggling, especially black female singers/rappers, white artists are being pushed as the new faces of black music.

It started with the crowning of Justin Timberlake  as the new  Michael Jackson (ha, ha!), Robin Thicke as the new Marvin Gaye (ha, ha!), and Adele as Aretha (ha, ha!).

There is also an agenda to take over hip hop. Well, actually it’s been going on for a while now.  Eminem has basically been deemed the greatest rapper of all time. They are now looking for their white female hope. Nicki Minaj degraded Malcolm X for nothing.

Unfortunately, the new blacks are helping to tide in this wave of 21st century blackface. Their obsession with fame and money and white acceptance, is making them sell out black music. Things are probably only going to get worse. I mean, I never would’ve thunk Usher would stick up for racist Justin Biebier, who was dead serious when he made those racist “jokes.”  I guess anything goes with the new blacks.  It’s up to us old blacks to keep an eye on these celebrities.

I’m getting agitated writing this, so let me just wrap up this week dedicated to Black Music Month (BMM). I want to give a shout out to my favorite old school female rapper, MC Lyte. I love her voice! Have a good weekend 🙂

“you can cha-cha cha to this marde grais, I’m the dopest female that you’ve heard thus far.”

 

 

 

 

Black Music Month (BMM) #1

June is Black Music Month (BMM).  I am dedicating the blog this week to all things black music.

“African-American Music Appreciation Month is a celebration for African-American Music every year in the month of June in the United States. It was originally started as Black Music Month by President Jimmy Carter, who on June 7, 1979, decreed that June would be the month of black music. Since then, presidents have announced to Americans to celebrate Black Music Month. For each year of his term, President Barack Obama has announced the observance under a new title, African-American Music Appreciation Month.” http://en.wikipedia.org/wiki/African-American_Music_Appreciation_Month

Since the early 2000’s, I have been side-eying contemporary r&b. I am a 70’s/80’s baby, so I grew up with amazing black female soul singers like Chaka Khan Aretha (she’s been around every decade 😉 Patti Labelle, Anita Baker, Angela Winbush, etc. There has been an agenda to destroy the black female soul singer. We have a few holding on in mainstream r&b (e.g. Fantasia), but overall the black female soul singer has been weeded out.

Sadly, for black women singers today, they are encouraged to assimilate to white standards of beauty and sell sex/their bodies. I have younger women of color feminists friends who talk to me about “respectability politics” when I lament about how oversexualized black female singers are today. I hear them. I think it’s a thin line of these women genuinely being empowered in their sexuality vs. being forced to by record companies/to stay popular.

So, I don’t buy much mainstream r&b music, these days. However, I am loving African female artists. They are bringing the soul, funk, and creativity that is being denied to American black female singers.

I recently found out about the music of Iyeoka Okoawo.

“Iyeoka Ivie Okoawo is a Poet and Recording Artist, a 2010 TED Global Fellow, the 2nd place 2009 Individual World Poetry Slam Champion, and a spokesperson for the Amenawon Foundation. Daughter of Nigerian-born parents who both hold Doctorate degrees from Boston University, Iyeoka was a practicing pharmacist before launching her career as a poet, singer, activist and educator. In her native Esan language, Iyeoka means “I want to be respected.” By channeling her culture and ancestral influences, she delivers an authentic and inspiring message of healing through accessing the power of the moment.”http://www.iyeoka.com/bio/

Updated to say: Iyeoka is actually Nigerian-American, so there’s still hope for American black female singers. heh.

Check out my favorite cut from Iyeoka…