Over 100 Nigerian schoolgirls abducted

Last week, the kidnapping of over 100 Nigerian schoolgirls kind of went under the radar. The abductions have been attributed to Boko Haram, a militant Islamist group in Nigeria:

“The group especially opposes the education of women. Under its version of Sharia law, women should be at home raising children and looking after their husbands, not at school learning to read and write. It has repeatedly targeted places of learning in deadly attacks that have highlighted its fundamental philosophy against education.” http://www.cnn.com/2014/04/24/world/africa/nigeria-kidnapping-answers/

There has been little to no new information on the what has happened to the girls/young women.  I will post any updates as I hear about them.  The Human Rights Watch website is also a good way to stay informed.

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African/Nollywood Films (2)

While I missed out on “Grigris,” I was able to see “Mother of George.”  Just by the skin of my teeth. A snowstorm threatened to have the movie interrupted/audience sent home.  Luckily, the alarm/warnings to leave the theater, didn’t go off until after the movie was over.  Whew! I’ve been wanting to see the film for a while. The film was at a local indie theater for a week, then disappeared. So, I was excited to see that it was part of the African Film Festival lineup.

“Mother of George”  is a Nigerian film.  The Nollywood film industry has  boomed over the years. It’s the third largest film industry in the world (after Hollywood/Bollywood). The amazing growth of these African films, begs the question “What can black filmmakers in the USA learn from Nollywood ?”

I was surprised to learn that “Mother of George” was the second film of Nigerian fashion photographer, Andrew Dosunmu.  You definitely see the influence of art, beauty, and fashion in the film. The movie is simply gorgeous.  The story revolves around Nigerian  newlyweds, Adenike (badazz Michonne, I mean Danai Gurira 🙂  and Ayodele (Isaach de Bankole).

I just want to say Isaach de Bankole is fine as hell! He also does a great job portraying Ayodele as a kind/loving (if not clueless) husband.

After the wedding (like all good traditional Nigerian housewives),  Adenike is supposed to get pregnant (with a son, of course). She doesn’t. It soon becomes apparent, after a couple of years of not getting pregnant, the couple’s fertility issues rest with Ayodele. However, in this traditional family, it’s absurd (and offensive) to blame the man. Ayodele, ignores Adenike pleas to see a fertility doctor. It forces Adenike to make a decision, that will knock your socks off.

The film is a good study on how culture/traditions can be empowering (as you watch the film, you see a vibrant/supportive Nigerian family/friends that you long to be part of.  Also, the film made me hungry 🙂, but can also be stifling. It shows how traditional gender roles, can be harmful to women AND men. A lot that happens in the film could have been avoided if Ayodele had supported his wife/listened to his heart…