Black Music Month (BMM) #1

June is Black Music Month (BMM).  I am dedicating the blog this week to all things black music.

“African-American Music Appreciation Month is a celebration for African-American Music every year in the month of June in the United States. It was originally started as Black Music Month by President Jimmy Carter, who on June 7, 1979, decreed that June would be the month of black music. Since then, presidents have announced to Americans to celebrate Black Music Month. For each year of his term, President Barack Obama has announced the observance under a new title, African-American Music Appreciation Month.” http://en.wikipedia.org/wiki/African-American_Music_Appreciation_Month

Since the early 2000’s, I have been side-eying contemporary r&b. I am a 70’s/80’s baby, so I grew up with amazing black female soul singers like Chaka Khan Aretha (she’s been around every decade 😉 Patti Labelle, Anita Baker, Angela Winbush, etc. There has been an agenda to destroy the black female soul singer. We have a few holding on in mainstream r&b (e.g. Fantasia), but overall the black female soul singer has been weeded out.

Sadly, for black women singers today, they are encouraged to assimilate to white standards of beauty and sell sex/their bodies. I have younger women of color feminists friends who talk to me about “respectability politics” when I lament about how oversexualized black female singers are today. I hear them. I think it’s a thin line of these women genuinely being empowered in their sexuality vs. being forced to by record companies/to stay popular.

So, I don’t buy much mainstream r&b music, these days. However, I am loving African female artists. They are bringing the soul, funk, and creativity that is being denied to American black female singers.

I recently found out about the music of Iyeoka Okoawo.

“Iyeoka Ivie Okoawo is a Poet and Recording Artist, a 2010 TED Global Fellow, the 2nd place 2009 Individual World Poetry Slam Champion, and a spokesperson for the Amenawon Foundation. Daughter of Nigerian-born parents who both hold Doctorate degrees from Boston University, Iyeoka was a practicing pharmacist before launching her career as a poet, singer, activist and educator. In her native Esan language, Iyeoka means “I want to be respected.” By channeling her culture and ancestral influences, she delivers an authentic and inspiring message of healing through accessing the power of the moment.”http://www.iyeoka.com/bio/

Updated to say: Iyeoka is actually Nigerian-American, so there’s still hope for American black female singers. heh.

Check out my favorite cut from Iyeoka…

 

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Black Girls Rock 2013 Recap

I always feel empowered after watching “Black Girls Rock.” Hell, the rest of the time society is obsessed with degrading/mocking black women/womanhood. So, it’s nice to watch a program where black women are valued. This is a very important message for black girls and young black women. Young folks are the most vulnerable to internalizing the racist/sexist propaganda used against black women.  It’s up to grown black women to provide safe spaces for black girls and show them positive alternatives. That’s why I have much respect for Beverly Bond and her creation of “Black Girls Rock.” She saw a need and did something about it.

The show was solid from beginning to end. Of course, I got a bit teary-eyed. The honorees were all fabulous and deserved their hard-earned awards. I like that Black Girls Rock not only focuses on celebrities, but the everyday black girl/woman. The grassroots work of black girls/women is not honored enough. There are so many DIY black women out there sacrificing their time, money, homes, etc., to make their communities a better place.  All the performances were on point, because black girls rock 😉  My favorite performances:

Kelly Rowland, Sevyn Streeter, and Eve

Alice Smith

Patti Labelle

 Support Black Girls Rock and their mission of positivity for black girls and young black women.